Museo Pietro Canonica

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The private apartment

In the oldest wing of the building is the apartment in which Pietro Canonica lived and worked from the 16th August 1927 until the 8th June 1959, the day on which he died. The apartment was opened to the public in 1988 and became part of the museum’s itinerary after the death of Maria Assunta Riggio Canonica, the artist’s second wife, who continued to live in the house after the sculptor’s death. Signora Riggio was indeed nominated “Honorary Conservator” of the Canonica Archive by the Municipality of Rome.
The rooms of the appartment were restored and completely furnished by Pietro Canonica in an XVIII century Piedmontese style, giving pre-eminence to a conception of the representative spaces which proclaim his public image. These rooms, therefore, mirror the spirit of the artist, his times and his social circle, creating in the wide spectrum of Roman museums a unique example of a museum-house.

Lunch room

Lunch room

In the Lunch Room campeggia a massiccio bolognese table in seventeenth century walnut. On the table sits a portrait of Baronessa Niemptsch (1903). On the far wall is a plate cupboard, in which are displayed sixteen pewter plates (of piemontese XVIII century manufacture). In the centre is a persian plate made of copper with arabesco decorations in turkish enamel. Beside the cupboard are two portraits in oil on a table decorated with the same subject: to the left is the Child in white and to the right the Child in Black. The two works, which date to 1895, are by Vittorio Cavalleri (1860-1938), a Turin painter and a friend of Pietro Canonica, for whom he made other paintings on display in the apartment.
To the left of the room is a large cupboard of trapezoidal design and Venetian manufacture (which dates of the beginning of the seventeenth century). At the side of the credenza are two large savoy plates in white and blue painted majolica (end of the XVII century). On the left wall hangs a tapestry attributable to a french XV century school. On the wall opposite hangs another tapestry of Flemish manufacture and from the middle of the seventeenth century.

Vittorio Cavalleri, 1895
inv. C. 1
Vittorio Cavalleri, 1895
inv. C. 3
XVII century
inv. C. 199 e C. 200
French school
inv. C. 166
Flemish manufacture
inv. C. 165

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